Abi Asks: Andrea Lepori - Safari Pedals

The Key to Mastering Low End: Techniques from Andrea Lepori

Abigail abi@safaripedals.com

Hey Y'all!


When not cooking up vibe-ullar podcast episodes or these slayful blog posts, I love going on long drives whilst blowing my eardrums out to some low end heavy music. While doing so this past week (more specially: to Stargazing by The Neighbourhood- because what a frkn BOP!!!), it hit me that I should dive into the wonderful world of “low end” on this week's blog. (as the wise philosopher Lizzo once said: “It's about damn time!”)

Achieving an Energetic and Clear Low End

To do so, I chatted with Producer and Engineer, Andrea Lepori (U2, Rolling Stones, Jack Savoretti).

I asked him: In your opinion, what is key in achieving an energetic but clear low end in a mix? 

Do you have methods that help you achieve that in your own mixes?

He said: "I am a huge fan of big low ends in any track I’m either listening to or mixing myself!

I’ve spent a great deal of time in my career sharpening my production and mixing techniques in order to fit as much low end energy as possible in each and every song I touch.

Lately, I tend to clean up the sides of the mix from unwanted resonant frequencies on the lower end (generally up to 80 Hz or so - depending on the genre and the sonic information I’m working with)

In the stereo field I also love to ‘mono’ stuff below certain frequencies, and also keep that part of the song spectrum really clean from unwanted saturation. 

Then I start shaping the relative harmonic content either on the multitrack - with the help of parallel processing - or in the mix buss with some of my favorite exciters to achieve the best possible translation, as I want the lows to shine and push tracks on every system they get played through.

Key Takeaways for Crafting Low End

Andrea’s answer was super (duper) insightful! I learned a lot! There were two big takeaways for me:

  1. Get Creative with Low End Processing: Andrea’s methods highlighted the importance of having multiple techniques for processing low end. This opens up creative possibilities in how I handle these frequencies in my mixes.
  2. Focused and Intentional Work: It’s crucial to approach low end with a focused and intentional mindset. This ensures the best possible outcome and consistency across different listening environments.

Unlocking Low End Potential

I feel that a new level of low end consciousness has been unlocked, and I can't wait to try Andrea’s methods! Hopefully, I’ll be able to craft low end in my tracks that people will want to blow their eardrums out to in the car ;)

Thanks Andrea!

Catch y’all next week!

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